PhotoNetCast #69 – Limited Edition Prints

Guy Tal joins us for a discussion on the value and ethics of issuing Limited Edition Prints.

 

Limited Edition Prints

 

In episode 69 of PhotoNetCast, Guy Tal joins us to discuss the practice and ethics of selling photographic prints in limited editions.

Guy Tal, a landscape, nature and travel photographer based in Utah, recently posted an article on his blog offering his opinion that, given the state of photographic technology today, selling prints as limited editions is, at best, a marketing ploy and, at worst, unethical. Tal argues that artificially limiting the availability of prints is intended purely to drive up the cost of the work and such behavior is inconsistent with his views regarding the social good provided by easy and widespread access to art.

Our discussion touches on the definition of an artwork (with some surprising discoveries found in California law), the definition of a "limited edition" and news relating to photographer William Egglestone’s recent sale of new prints which has resulted in him being sued by a collector of his original work.

Enjoy the show…

Audio here (un-edited video coming at a later time)

 

Show Notes

Selected from the Web

PhotoNetCast #41 – Copycats

Continuing our conversation from episode #40, we discuss the matter of copying photographic subjects and compositions.

Copycats

 

A photographer from Vancouver, David Burdeny, has recently been challenged by Sze Tsung Leong over the similarities of Burdney’s series "Sacred & Secular" with his own "Horizons".

Despite the  fact that Leong’s images were taken from very popular scenic viewpoints, the resemblance between the two series of works is quite alarming and has led to "copying" accusations and even to the removal of "Sacred & Secular" from the gallery representing Burdney.

You can judge for yourself by looking at the images. You’ll also find a more complete story there.

The issue is not new to photography, and while copying works by previous artists can be a rich source of knowledge, taking the works to exhibition might be considered a different matter, and ethics apart at least denotes a blunt lack of originality and creativity.

Join us for this episode with David Sanger and William Burrard-Lucas as we discuss this story and answer some of our listeners’ questions.

 

 

Show Notes

 

Intro

Listener Questions

  • Brenda O’Neil – I love to take photos of people and I was thinking of offering an on-location photo service to potential customers. The problem is that I don’t have enough photos that actually look taken on a portrait session to illustrate my site with. Usually I go more for the candid approach. My question is, would it be acceptable to offer a few photo sessions to clients just to be able to use their photos on my site? Is there any alternative? Thanks for any help.
  • Eddie S. – Whenever I switch lenses I have the bad habit of misplacing my lens caps and have lost a few. This makes mad. What tips can you share not to lose the caps?
  • Matt – I’ve recently upgraded from a P&S to the T1i. Other than shooting full auto (what I used to do with the smaller one), what shooting mode do you recommend to minimize the difficulty of getting used to the new camera?

Selected from the Web